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So you need to figure out the year of production for your Fender guitar or bass. You're not alone. Fenders rank as the most frequently bought and sold instruments on Reverb, and finding a precise date of manufacture can be key to determining the value and specifics of an instrument.
The most important thing to keep in mind when dating a Fender is the highly modular nature of the designs. Like Henry Ford, part of Leo Fender's genius was in optimizing the company's production efficiency. His guitars were built en masse by an entire factory, not a single luthier toiling over one instrument at a time. Features like bolt-on necks and pickups wired into the pickguard all helped the Fender factory churn out guitar after guitar, day after day. This also means that various parts used on a particular guitar may have come from different points in time, so no single number can absolutely define when the instrument was built.
Instead, the best approach to dating a Fender is to combine indicators from the design of the instrument, the dates found on the neck and body, along with the serial number. Once you have the information you need, if you're interested in selling your Fender, you can use Reverb to get it in front of the largest audience of musicians in the world by clicking on this link.
I have an 85-86 Fender Japan 62 reissue Tele like yours and they don’t have a Serial# the A number on the bridge plate is not a serial # and your number just indicates that it was made between 1985 or 1986 Yours looks just like mine, they are great guitars. As pointed out, the real deal and a great guitar. I have found out that about 90% of these i have picked up (I have owned quite a number of both MIJ/CIJ Strats and Teles) I had to do a setup on them.
Design Changes and Features
Perhaps the best place to start when dating your Fender is to get an approximate idea of the era based on the instrument's design and components. This can be a tall order for someone less versed in guitar history, but we do have some resources here on Reverb to help you out.
For starters, there's the Reverb Price Guide which has thousands of entries with pictures and details on various guitars and other gear. Some browsing around the Fender section of the Price Guide can definitely help you find which model you have.
We also have some other blog posts related to Fender that can hopefully be of some help. There's A Brief History of the Stratocaster Part I and Part II that follows the evolution of the most popular Fender guitar of all. Similarly, take a look at Behold the Jazzmaster for general timeline of the history of everyone's favorite offset guitar. For Fender during the turning point era of the mid-'60s, check out Fender and the CBS Takeover.
Learn everything you need to know to choose the right Stratocaster for you.
Body and Neck Dates
Through much of Fender's production history, Fender workers would print or write a production date on both bodies and necks where the two pieces meet. These dates will tell when the original part was manufactured, but are not exact indicators of when the guitar was actually put together and finished.
Here is what the neck date and body date look like from a 1952 Telecaster:
If you're not comfortable removing the neck of a guitar to peek at the date marker, I encourage you to take it to a local tech or luthier.
I will also mention briefly pot-codes as a resource (numbers on the internal potentiometers of the guitar). These can definitely be useful in cases where no other numbers exist, but just tell when the pot itself was made. Who knows how long it was waiting in the Fender factory before finding its way into a Tele?
Serial Numbers
Like the body and neck dates, using serial numbers to date a Fender is not a sure bet. At many points in Fender's history, serial number usage overlapped again owing to the modular manner of production. Below we'll go into detail about the various serial number schemes employed by Fender as far back as 1950. There are certainly plenty of exceptions, so again, using serial numbers in conjunction with other dating methods is always the best bet.
Click on the links here to jump directly to the serial number style that matches your instrument:
The Early Years: 1950 - 1954
In the early years, Fender serial numbers schemes were specific to the model. Esquires, Broadcasters and Telecasters shared a serial number sequence, while the landmark Precision Bass had its own system. In this early period, the serial number can be found on the bridge of the instrument (see image).
Here are the rough serial number ranges for the early Esquires and Telecasters:
0001 to 0999 | 1950 - 1952 |
000 to 5300 | 1952 - 1954 |
And here are the ranges for the original Precision Basses:
161 to 357 | 1951 |
299 to 619 | 1952 |
0001 to 0160 | 1952 |
0161 to 0470 | 1951 - 1952 |
0475 to 0840 | 1952 - 1953 |
0848 to 1897 | 1953 - 1954 |
Also, for the first half or so of 1954, the inaugural run of Stratocasters had a distinct number sequence all under number 6000.
Classic Serial Numbers - 1954 - 1963
By mid-1954, Fender began using a universal serial number sequence for all its instruments. At this time, the location of the serial number also shifted from the bridge to the neckplate (the metal plate located on back of where the neck meets the body).
Here's how the serial numbers break down from 1954 to the beginning of 1963, though there are some areas of inconsistency in this era:
0001 to 7000 | 1954 |
7000 to 9000 | 1955 |
9000 to 17000 | 1956 |
17000 to 25000 | 1957 |
25000 to 34000 | 1958 |
34000 to 44000 | 1959 |
44000 to 59000 | 1960 |
59000 to 71000 | 1961 |
71000 to 93000 | 1962 |
93000 to 99999 | 1963 |
Learn everything you need to know to choose the right Telecaster for you.
L Series - The Transition Period of 1963 to 1965
At the very end of 1962 and into 1963, Fender changed to a system where serial numbers began with an 'L.' According to some accounts, the L was supposed to just be a 1 to mark the cross over into the 100,000 range from the previous scheme, but an L was used by mistake.
Here the range of the L-series serial used each year. Some of the earliest ones actually popped up in late 1962 as well:
0L00001 to L20000 | 1963 |
L20000 to L59000 | 1964 |
L59000 to L99999 | 1965 |
F Series - CBS Era 1965 - 1976
After the CBS purchase of Fender in 1965, the factory switched to a new serial sequence with numbers that continued the same general format used prior to the takeover. These are generally referred to as F series due the large Fender branded F on the neckplates of the era. This period also saw a switch from the orginal four-bolt neckplate of the '60s to a three-bolt neckplate in just one example of cost-saving costs introduced under CBS.
100000 to 110000 | late 1965 |
110000 to 200000 | 1966 |
200000 to 210000 | 1967 |
210000 to 250000 | 1968 |
250000 to 280000 | 1969 |
280000 to 300000 | 1970 |
300000 to 340000 | 1971 |
340000 to 370000 | 1972 |
370000 to 520000 | 1973 |
500000 to 580000 | 1974 |
580000 to 690000 | 1975 |
690000 to 750000 | 1976 |
Post 1976
Starting in 1976, Fender transitioned to a new serial number scheme and moved the placement of most serial numbers to the headstock of the instrument. Depending on the era and model, the number can be found on either the front or back of the headstock.
After a short period of overlap with the old system, the post-76 numbers will start with a letter that indicates the decade, followed by a number that indicates the year of that decade. The decade letter codes break down like this: S = 1970s, E = 1980s, N = 1990s, Z = 2000s. In the 2000s, you'll also see serials starting with a DZ which indicates the Deluxe series, but the format is otherwise the same.
For example, a serial number with N4 would be from 1994. One starting with Z5 would be from 2005.
This scheme is not 100% consistent due to a number of production factors, such as Fender producing more serialized decals than needed in a given year. This is particularly pronounced in the transitional period of the mid-'80s, though the system has been pretty much on point since about 1990.
After 2009, the letter changed to a format starting with US then two digits that tell the year of the current decade.
Here's the breakdown of Post-1976 American-made Fender serials:
76 + 5 digits | 1976 |
S6 + 5 digits | 1976 |
S7 + 5 digits | 1977 - 1978 |
S8 + 5 digits | 1978 |
S9 + 5 digits | 1978 - 1979 |
E0 + 5 digits | 1979 - 1981 |
E1 + 5 digits | 1980 - 1982 |
E2 + 5 digits | 1982 - 1983 |
E3 + 5 digits | 1982 - 1985 |
E4 + 5 digits | 1984 - 1988 |
E8 + 5 digits | 1988 - 1989 |
E9 + 5 digits | 1989 - 1990 |
N9 + 5 digits | 1990 |
N0 + 5 digits | 1990 - 1991 |
N1 + 5 or 6 digits | 1991 - 1992 |
N2 + 5 or 6 digits | 1992 - 1993 |
N3 + 5 or 6 digits | 1993 - 1994 |
N4 + 5 or 6 digits | 1994 - 1995 |
N5 + 5 or 6 digits | 1995 - 1996 |
N6 + 5 or 6 digits | 1996 - 1997 |
N7 + 5 or 6 digits | 1997 - 1998 |
N8 + 5 or 6 digits | 1998 - 1999 |
N9 + 5 or 6 digits | 1999 - 2000 |
Z0 + 5 or 6 digits | 2000 - 2001 |
Z2 + 5 or 6 digits | 2001 - 2002 |
Z3 + 5 or 6 digits | 2003 - 2004 |
Z4 + 5 or 6 digits | 2004 - 2005 |
Z5 + 5 or 6 digits | 2005 - 2006 |
Z6 + 5 or 6 digits | 2006 - 2007 |
Z7 + 5 or 6 digits | 2007 - 2008 |
Z8 + 5 or 6 digits | 2008 - 2009 |
Z9 + 5 or 6 digits | 2009 - 2010 |
US10 + 6 digits | 2010 |
US11 + 6 digits | 2011 |
US12 + 6 digits | 2012 |
US13 + 6 digits | 2013 |
US14 + 6 digits | 2014 |
Signature Series
American-made signature series instruments follow a very similar scheme to the above, but use a prefix S before the decade letter. For example, a Signature Series guitar from 1998 would have a serial starting with SN8 followed by five digits.
American Vintage Reissue models
The major exception to all of this is the American Vintage Reissue (AVRI) series. These have serial numbers starting with V and do not strictly correlate to years. The neck dates on these guitars, however, are usually reliable.
Made in Japan Fender Serials
Fender Japan serial numbers can usually be found on the back of the neck near the neck joint. Though examples also exist with the number on the headstock or the neck-plate in the case of certain early reissue models. Up until 1997, the serial was paired with the words 'Made in Japan.'
In 1982, Fender expanded operations with a series of instruments produced in Japan by the Fuji Gen Gakki company. Like the US serial numbers, MIJ (made in Japan) serials start with a letter or pair of letters that indicate the rough year of production. This system, however, is notoriously inconsistent and incomplete, which makes dating by serial number even less reliable for MIJ Fenders.
Here's a breakdown of serials for the 'Made in Japan' era:
JV + 5 digits | 1982 - 1984 |
SQ + 5 digits | 1983 - 1984 |
E + 6 digits | 1984 - 1987 |
A + 6 digits | 1985 - 1986 |
B + 6 digits | 1985 - 1986 |
C + 6 digits | 1985 - 1986 |
F + 6 digits | 1986 - 1987 |
G + 6 digits | 1987 - 1988 |
H + 6 digits | 1988 - 1989 |
I + 6 digits | 1989 - 1990 |
J + 6 digits | 1989 - 1990 |
K + 6 digits | 1990 - 1991 |
J + 6 digits | 1990 - 1991 |
K + 6 digits | 1990 - 1991 |
L + 6 digits | 1991 - 1992 |
M + 6 digits | 1992 - 1993 |
N + 6 digits | 1993 - 1994 |
O + 6 digits | 1993 - 1994 |
P + 6 digits | 1993 - 1994 |
Q + 6 digits | 1993 - 1994 |
S + 6 digits | 1994 - 1995 |
T + 6 digits | 1994 - 1995 |
U + 6 digits | 1995 - 1996 |
N + 5 digits | 1995 - 1996 |
V + 6 digits | 1996 - 1997 |
Crafted in Japan Serial Numbers
In 1997, Fender changed the 'Made in Japan' decal to say 'Crafted in Japan.' There is some overlap with the earlier 'MIJ' serials, so it's important to note if your instrument carries the 'Made in Japan' or 'Crafted in Japan' decal.
Here are the serial numbers for the 'Crafted in Japan' or 'CIJ' era:
A + 6 digits | 1997 - 1998 |
O + 6 digits | 1997 - 2000 |
P + 6 digits | 1999 - 2002 |
Q + 6 digits | 2002 - 2004 |
R + 6 digits | 2004 - 2005 |
S + 6 digits | 2006 - 2008 |
T + 6 digits | 2007 - 2008 |
After 2007, Fender Japan switched back to marking Fenders as 'Made in Japan' though for a few years instruments with both decals were made. Serial numbers since this transition have continued the same sequence as the 'CIJ' era.
Made in Mexico Fender Serials
Fender opened a factory in Ensenada, Mexico in the late '80s and instruments started coming off the line in 1990. Mexican-made (MIM) Fenders carry a serial number on the headstock starting with an M. Some exceptions include a handful of special editions and signature models as well as the split US/Mexican-made California series which all have a 'AMXN' at the beginning of their serials.
The MIM serial number scheme is actually very straight-forward. For Mexican Fenders made in the 1990s, the serial will start with an MN followed by a number that indicates the year of the decade. Instruments made in the 2000s follow the same form but start with MZ. For the 2010s, the prefix is MX1. For example, a serial number starting with MN2 would be 1992.
Here's the serial number breakdown for a majority of MIM Fenders:
MN0 + 5 or 6 digits | 1990 |
MN1 + 5 or 6 digits | 1991 |
MN2 + 5 or 6 digits | 1992 |
MN3 + 5 or 6 digits | 1993 |
MN4 + 5 or 6 digits | 1994 |
MN5 + 5 or 6 digits | 1995 |
MN6 + 5 or 6 digits | 1996 |
MN7 + 5 or 6 digits | 1997 |
MN8 + 5 or 6 digits | 1998 |
MN9 + 5 or 6 digits | 1999 |
MZ0 + 5 or 6 digits | 2000 |
MZ1 + 5 or 6 digits | 2001 |
MZ2 + 5 or 6 digits | 2002 |
MZ3 + 5 or 6 digits | 2003 |
MZ4 + 5 or 6 digits | 2004 |
MZ5 + 5 or 6 digits | 2005 |
MZ6 + 5 or 6 digits | 2006 |
MZ7 + 5 or 6 digits | 2007 |
MZ8 + 5 or 6 digits | 2008 |
MZ9 + 5 or 6 digits | 2009 |
MX10 + 6 digits | 2010 |
MX11 + 6 digits | 2011 |
MX12 + 6 digits | 2012 |
MX13 + 6 digits | 2013 |
MX14 + 6 digits | 2014 |
Exceptions
There are a number of exceptions to all these serial number schemes. As mentioned above, many reissue models use serial numbers that don't really correlate to their age. Additionally, there have been plenty of artist models, limited editions and other rare models that use a unique serial number. Examples include the 35th anniversary series, many of the uniquely finished Strats from the early '80s, as well as various export-specific models which carry a serial number starting with FN.
Again, the serial number alone in any of these cases is not definitive and the best approach is to combine that with other methods like the neck and body dates, as well as just the features of the specific instrument. If you have any questions as to what Fender you're dealing with, I encourage you to seek out a local guitar shop or luthier to help figure it out.
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Fender Contemporary Stratocaster Japan | |
---|---|
Manufacturer | Fender Japan |
Period | 1984—1987 |
Construction | |
Body type | Solid |
Neck joint | Bolt-on |
Woods | |
Body | Alder or Basswood |
Neck | Maple |
Fretboard | Rosewood or Maple |
Hardware | |
Bridge | Fender Schaller System I, System II, System III Tremolo |
Pickup(s) | Variable, see Models |
Colors available | |
Usually metallic colors. Some models are sunburst. |
Fender Contemporary Stratocasterelectric guitars were produced by Fender Japan in the 1980s.
General features[edit]
- “D” profile neck with a 12' radius.
- 'BiFlex' truss rod adjustment on the headstock.
- Microtilt neck angle fine adjustment.
- Some models have string trees.
- Some models have a coil split switch.
- 22 medium jumbo frets.
- Fender Roto-matic tuners, and 4 bolt neck plate.
- 11 screw pickguard. Some models don't have a pickguard.
- String locking.
- Fender Schaller System I, System II, System III tremolo systems. Some are fitted with Kahler 2500/2520
- Various combinations of single coil and or humbucking pickups on various models.
- 25.5' scale length except model 27-5500 which has a 24.75' scale length.
- Some models feature black coloured necks and/or black coloured headstocks.
- Vast majority of these will have a basswood bodies
Models[edit]
- 27-5700: 2 single coil and 1 humbucking pickups, 5 position selector switch, coil splitter, 1 volume, 1 TBX, System III tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-5800: 2 humbucking pickups, 3 position selector switch, coil splitter, 1 volume, 1 TBX, System III tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-4100: 2 single coil and 1 humbucking pickups, 5 position selector switch, coil splitter, 1 volume, 1 TBX, System II tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-4200: 2 humbucking pickups, 3 position selector switch, 1 volume, 1 tone, System I tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-4300: 3 single coil pickups, 5 position selector switch, 1 volume, 2 tones, System I tremolo, rosewood fingerboard, 25.5' scale length, top mounted output jack.
- 27-4302: 3 single coil pickups, 5 position selector switch, 1 volume, 2 tones, System I tremolo, maple fingerboard, 25.5' scale length, top mounted output jack.
- 27-4400: 1 humbucking pickup, 1 volume, system I tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-5000: 2 humbucking pickups, 3 position selector switch, coil splitter, 1 volume, 1 TBX, System I tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- 27-5500: 2 humbucking pickups, 3 position selector switch, coil splitter, 1 volume, 1 TBX, System I tremolo, rosewood fingerboard, 24.75' scale length, side mounted output jack.
- 27-5400: 3 single coil pickups, 5 position selector switch, 1 volume, 2 tones, System I tremolo, rosewood fingerboard, 25.5' scale length, side mounted output jack.
- Unknown: There is an unknown model number featuring 2 single coil and 1 humbucking pickups, 3 independent selector switches (one per pickup), 1 volume, 1 TBX, System I tremolo, rosewood fingerboard, 25.5' scale length, and side mounted output jack.
- Unknown: There is an unknown model number featuring 2 single coil and 1 humbucking pickups, 5 position selector switch, 1 volume, 1 TBX, System I tremolo, rosewood fingerboard, 25.5' scale length, and top mounted output jack.
- Unknown: There is an unknown model number featuring 2 single coil and 1 humbucking pickups, 5 position selector switch, coil splitter, 1 volume, 1 TBX, Kahler fulcrum tremolo licensed by Floyd Rose, rosewood fingerboard, 25.5' scale length, side mounted output jack. This may be an adaptation of either the 27-5700 or 27-4100 model to maintain production.
History[edit]
The Fender Contemporary models were the first Fender Japan models to be exported as Fender Stratocasters and Telecasters. The previous Fender Japan models exported from Japan were all Fender Squier models. The Fender Contemporary models were manufactured from 1984 to 1987 by FujiGen Gakki and these Stratocasters were designed to be Superstrats (Super Strat) with humbucking pickups and Floyd Rose like tremolos made by Schaller and Kahler. There was a lower priced Fender Contemporary Squier model produced as well. Many of Fender Contemporary Stratocaster and Telecaster models had Fender Japan E serial number prefix at the beginning of their serial numbers but in fact, Fender never produced a line of guitars named the 'E series'.
When CBS sold Fender to its current owners in 1984, there was a transitional period from 1984 to 1987 with limited Fender USA production resulting in mostly Fender Japan and leftover USA made guitars being sold. There are also Fender Contemporary Telecaster models with HSS or HH pickup configurations and switches for selecting pickup options. The Fender Contemporary Telecaster models used the same tremolo systems as the Fender Contemporary Stratocaster models. Black Francis used a Fender Contemporary Telecaster in the Pixies and Neal Schon played a Contemporary Stratocaster in the music video for Journey's Separate Ways, also the band's first ever video.
There were also USA Contemporary Stratocasters and Telecasters which were totally different than the original Japanese models in terms of features and construction. These short-lived American-made models were made by the Fender Custom Shop in the mid-1990s.
Technical information[edit]
1985 Fender Contemporary Stratocaster with System III Tremolo and Humbucking Pickups
The System I bridge string height is set by adjustable pivot post screws and has no individual string height adjustments but has individual string intonation adjustments and is very much like the Gibson Tune-o-matic bridge in terms of intonation and string height adjustments.The System I tremolo system uses a behind the nut string locking mechanism.The System II and System III bridges have individual string height and individual string intonation adjustments.The System II and III tremolo systems use a height adjustable locking nut.
The System II tremolo system was designed by John Page, Chip Todd and Charlie Gressett.The System III tremolo system was designed by John Page, Dan Smith, Charlie Gressett and John Carruthers. The System I, II and III tremolo systems were manufactured in Germany by Schaller.Sometimes parts of the tremolo system are lost and one common modification is to make the bridge function as a hardtail by locking the bridge into a non movable position and installing a string tree for the first and second strings so that the strings don't slip out of the nut slots.
The System 1 bridge can be replaced successfully with a Floyd Rose licensed bridge.The slightly wider pivot screw spacing of the System 1 bridge needs a Floyd Rose licensed bridge design with one pivot screw cutaway that extends to the edge of the bridge allowing the Floyd Rose licensed bridge to mount onto the System 1 pivot screws. This configuration is most common in a 'Floyd Rose Gotoh' bridge. Most Floyd Rose bridge designs have two pivot screw cutaways that are limited to the width of the pivot screws, and these will not fit the System 1 pivot screw spacing.
Some models exported to UK were fitted with Kahler Traditional Series tremolos, stamped 'Made in the USA', and supplied with the American Precision Metal Works, Inc. set-up instructions and Allen keys.
The pickups used in the Contemporary models were manufactured by Fujigen. All of the pickups used on the Contemporary models have alnico magnets instead of ceramic. The humbucking pickups used in the Contemporary models have a DC resistance which is approximately 7.6 kilohms. The single coil pickups used in the Contemporary models have a DC resistance which is approximately 5.6 kΩ. The Contemporary models that use a TBX tone control use 500 kΩ volume pots and use 0.022 µF tone capacitors.
Serial numbers[edit]
The early Fender Japan Contemporary series serial numbers from 1984-1987 follow the Fender USA serial number format of E = eighties and the first digit of the serial number representing the year.
For example, E6XXXXX = 1986.
Most of the Fender Japan serial numbers do not follow this format. Instead,in 1986 several have serial numbers beginning with A, B,C,E or F followed by six numerals,( e.g. AXXXXXX or BXXXXXX ) therefore made in 1984,1985,1986 or 1987.
The Fender USA serial format was used on the Fender Japan guitars that were exported to the USA while Fender was undergoing a transitional period.
Sources[edit]
External links[edit]
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Fender_Contemporary_Stratocaster_Japan&oldid=911361796'